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https://freight.cargo.site/t/original/i/D2716767079582100523597912199758/bria-opening-2.jpg https://freight.cargo.site/t/original/i/V2716767973788019496668426785358/bria-closing-7.jpg https://freight.cargo.site/t/original/i/G2716767973806466240742136336974/bria-closing-8.jpg https://freight.cargo.site/t/original/i/K2716767973843359728889555440206/bria-closing-13.jpg https://freight.cargo.site/t/original/i/U2716767973419084615194235753038/bria-closing-2.jpg https://freight.cargo.site/t/original/i/U2716823984393367008002090062414/afxkna.gif https://freight.cargo.site/t/original/i/V2716823984651621425034023785038/afxkud.gif https://freight.cargo.site/t/original/i/X2716823984633174680960314233422/afxkqv.gif “We’re not a monolith, and we can’t be compartmentalized.” https://s01.world/the-body-is-chaos 2026-02-08T14:03:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2586770014517296495052687790670/tbic.png https://freight.cargo.site/t/original/i/G2656934068556781522625471042126/tbic-22.jpg Acuéstate, esto te va quitar el mal de ojo, 2025 Typewritten receipt paper, wood, paint, wine stains, glass, egg, construction glove https://freight.cargo.site/t/original/i/O2656934068464547802256923284046/tbic-3.jpg https://freight.cargo.site/t/original/i/A2656934068501441290404342387278/tbic-7.jpg Letters to Myself, 2025 Cyanotype, correspondence paper, wax, Polaroid emulsion, fabric, matches, tape, rice paper, typewritten text, medium format black-and-white inkjet prints, transparency film print, wine, pencil, acrylic, Kodak wrapper https://freight.cargo.site/t/original/i/G2656934068538334778551761490510/tbic-20.jpg I Am My Own Myth, 2025 Inkjet print (black and white, medium format) on Canson Infinity Platine Fibre Rag Paper. https://freight.cargo.site/t/original/i/X2656934068482994546330632835662/tbic-6.jpg Personal Archive, 2025 Alprazolam, lorazepam, bupropion, fuoxetine, escitalopram, venlafaxine, atomoxetine, guanfacine, lamotrigine, LSD, methamphetamine, cocaine. https://freight.cargo.site/t/original/i/A2656934068095612920782732251726/tbic-2.jpg https://freight.cargo.site/t/original/i/Y2656940623441267418651251823182/tbic-12.jpg https://freight.cargo.site/t/original/i/F2656940623644181603462056890958/tbic-16.jpg Memories of a Dream Landscape | 2025 Cyanotype, medium format black-and-white inkjet print, image transfer on canvas, correspondence paper, rice paper, house paint, oil stick, wax crayon, pencil, tape. https://s01.world/human-touch-by-program-studios 2026-02-08T14:03:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2549806572774575023048726008398/humantouch-19.jpg https://freight.cargo.site/t/original/i/K2549806572959042463785821524558/humantouch-43.jpg https://freight.cargo.site/t/original/i/M2549806572848361999343564214862/humantouch-31.jpg https://freight.cargo.site/t/original/i/D2549806572793021767122435560014/humantouch-25.jpg 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https://freight.cargo.site/t/original/i/Y2484780725687054465200297202254/todhop-39.jpg https://freight.cargo.site/t/original/i/I2484780726258903531485293302350/todhop-40.jpg https://s01.world/abracadabra 2026-02-08T14:03:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2272112725814472819892206817870/open-call-2.jpg https://freight.cargo.site/t/original/i/L2272114743113511232621352440398/open-call-2.jpg https://freight.cargo.site/t/original/i/V2344319431341108975996262011470/IMG_5691.JPG https://freight.cargo.site/t/original/i/O2484787736003204797041197830734/abraARCHIVE-16.jpg Jadakess Neal Boy Blue, 2023 Oil on canvas https://freight.cargo.site/t/original/i/D2484787735966311308893778727502/abraARCHIVE-12.jpg Rebecca Montgomery Octavia, You're So Cool, 2025 Octavia and I met just before attending an artist residency in France — over steak frites in Paris. That night, we dove deep into conversation about life and art and became fast, fun friends. The following days were full of laughter, wine, cello performances in front of the sparkling Eiffel Tower, delicious meals, and even joining a professional dance group at the Moulin Rouge. One moment I’ll never forget was standing in front of the Eiffel Tower with her as she pulled out an extra flower crown and handed it to me — so we could both wear them. That was her: always sharing the spotlight, always making magic feel possible. At the Château d’Orquevaux, Octavia’s meditative cello music filled the halls, tying us all together and helping the artists find creative flow. She was joyful and grounded, and deeply in love with her three boys — who she spoke about with so much warmth and pride. She reminded me to drink life in fully. I’ll always remember our easy laughter, our creative fire, and her words: “It’s time. Just go. Do the thing.” This illustration is something I wish I had made while she was still alive to see it — but in some way, I hope she knows it exists. One of the artists we gushed over that first night in Paris was Kehinde Wiley, known for his powerful, floral-filled portraits. It felt only right to honor her in a similar way: regal, radiant, unforgettable. I painted Octavia seated with her cello — peaceful and powerful — surrounded by yellow flowers to represent her warmth and friendship. Her pink background echoes the brick of the château and our “Peaches” song joke from the Mario Bros. movie, which we sang to each other often. Her flower crown and vibrant outfit reflect how she showed up in the world: as a queen, a goddess, a light. Wisteria blooms behind her — a nod to France, a country she loved deeply. Octavia encouraged me to embrace the spotlight and create without fear. This piece is for her, and for all who knew and loved her. She is deeply missed. A downloadable version of this illustration is accessible through <a href="https://ko-fi.com/space0001" target="_blank">Ko-fi</a>. 100% of proceeds from both in-person and online sales will be donated to Octavia’s family. https://freight.cargo.site/t/original/i/K2484787736040098285188616933966/abra-9.jpg Katie Cooper Love Always, Octavia, 2025 Octavia and I met as young teens at Blue Lake Fine Arts Camp. She played the cello, and I played the violin, but we also sang, danced, made art, and goofed off together. We had similar senses of humor, and would routinely finish each other’s sentences (and jokes). It was always like this between us. As the years passed, Octavia showed up for all of my painting and music shows, and this painting was my way of showing up for her. It came to me so easily and effortlessly, and I don’t think that’s any coincidence. This piece was just another one of our collaborations. Oil on canvas https://freight.cargo.site/t/original/i/C2484787736021651541114907382350/abraARCHIVE-17.jpg Liana Ramon Summer Halter Top, 2024 Octavia asked me to make her a summer crop top and we collaborated on colors and design. Octavia loved earth tones and yellow always made her smile. This is a living memory for me and I hope that it continues to remind people of the earth, life, and sunshine. Octavia is summer and life and love. Cotton, acrylic, and alpaca yarn, and a black elastic band. The top is a halter style with a corset backing tie made with brown, green, and yellow yarn. https://freight.cargo.site/t/original/i/P2484787736076991773336036037198/abra-17.jpg Eevee Wittch Octavia: Made of Mirth and Magic, 2025 Aurora borealis in human form, a dance of celestial fire, she was radiant and warm. A dreamer in constant creative motion. A witch with love as her notion. A bringer of laughter, light, joy, and divinity; may her way be remembered and in our beings become our norm. Watercolor, colored pencil, oil based paint on cotton paper https://freight.cargo.site/t/original/i/C2484787735246888290019106214478/abraARCHIVE-11.jpg Andrea Sila Moon and Star, 2025 Rays, 2025 War Horn, 2025 Afro-AMEORICAN Artists Make Art. Everything We Create Is Art, 2025 Eirene, 2025 Light, Air, 2025 The work is inspired by Ted Joans’ A Teduated Art Tip in which he wrote, “Afro artists create art, we are artists; everything we create is art…we use any ways, or materials, that are chosen to create this art,” on the back a found piece of cardboard. Also a mark of inspiration was the visual presentation of his poetry alongside afro-surrealist imagery. “Afro-AMEORICAN Artists Make Art. Everything We Create Is Art” features original poems, historic and cultural references to black life and black excellence, and quotations where noted. Adinkra symbols: Osram Ne Nsoromma (moon and star), Kojo Baiden (rays of light) and Akoben (war horn) are also incorporated. The process was a reflection of how society views black-ness and how we view black-ness within ourselves; the project is a both cathartic and meditative way to work out these questions in a physical landscape. Acrylic paint, marker, pastel, fabric and tape on found cardboard https://freight.cargo.site/t/original/i/D2484787735984758052967488279118/abraARCHIVE-14.jpg Emma Womble Untitled, 2025 Humanness Our interactions, fleeting moments of silence, a small exchange, a nod. Often overlooked. But it can change the perspective of a day or a life. Metropolitan cities are filled with a diverse group of people. There are many instances we do not think twice about. Chicago can be lonely or Chicago can be invigorating. Each portion is equal, subpar, or higher to the next. Capitalizing on these seconds that make us human. Like the blink of an eye… Oil and watercolor on found fabric https://freight.cargo.site/t/original/i/Q2484787736058545029262326485582/abra-15.jpg https://s01.world/intravenus-a-slide-show-by-riley-valentine 2026-02-08T14:03:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2208762658896101749135431029326/intravenusopening-8.jpg https://freight.cargo.site/t/original/i/B2208762658932995237282850132558/intravenusopening-16.jpg https://freight.cargo.site/t/original/i/V2208762658822314772840592822862/intravenusopening-3.jpg https://freight.cargo.site/t/original/i/M2208762658914548493209140580942/intravenusopening-11.jpg https://freight.cargo.site/t/original/i/S2208762658877655005061721477710/intravenusopening-7.jpg https://freight.cargo.site/t/original/i/Q2208762658195125474334468067918/intravenusopening-2.jpg https://freight.cargo.site/t/original/i/C2208762658840761516914302374478/intravenusopening-4.jpg https://freight.cargo.site/t/original/i/X2208762658859208260988011926094/intravenusopening-6.jpg https://freight.cargo.site/t/original/i/Y2208762658969888725430269235790/intravenusopening-18.jpg https://freight.cargo.site/t/original/i/S2208762658988335469503978787406/intravenusopening-19.jpg https://freight.cargo.site/t/original/i/T2208762658951441981356559684174/intravenusopening-17.jpg https://freight.cargo.site/t/original/i/D2218070772545113023714541294158/RILEYVALENTINE-06.jpg Photograph © <a href="https://www.mikeymosher.com/work">Mikey Mosher</a> https://freight.cargo.site/t/original/i/F2218070832294117078459778978382/RILEYVALENTINE-04.jpg https://freight.cargo.site/t/original/i/B2218071607813684681283038466638/intravenus.jpg https://freight.cargo.site/t/original/i/P2221630724164792704363431842382/Reader-raw.jpg https://s01.world/bria-bridges-the-subconshis-mind 2026-02-08T14:03:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2208756987942698377123944583758/sub-4.jpg https://freight.cargo.site/t/original/i/W2208756987370849310838948483662/sub-1.jpg https://freight.cargo.site/t/original/i/N2208756987924251633050235032142/sub-3.jpg https://freight.cargo.site/t/original/i/V2208756987979591865271363686990/sub-6.jpg https://freight.cargo.site/t/original/i/U2208757069385073462551614968398/sub2-2-2.jpg https://freight.cargo.site/t/original/i/V2208757069348179974404195865166/sub2-1-3.jpg https://freight.cargo.site/t/original/i/S2208757069514200671067581829710/sub2-7.jpg https://freight.cargo.site/t/original/i/P2208757069477307182920162726478/sub2-5.jpg https://freight.cargo.site/t/original/i/H2208757069495753926993872278094/sub2-6.jpg https://freight.cargo.site/t/original/i/X2208757069366626718477905416782/sub2-1.jpg https://freight.cargo.site/t/original/i/A2208757069532647415141291381326/sub2-8.jpg https://freight.cargo.site/t/original/i/M2208757069421966950699034071630/sub2-3-2.jpg https://freight.cargo.site/t/original/i/T2208757068905458116635166626382/sub2-1-2.jpg https://freight.cargo.site/t/original/i/E2208757069440413694772743623246/sub2-3.jpg https://freight.cargo.site/t/original/i/I2208757712198764199108360131150/bria-card1-print.jpg https://s01.world/nav 2026-02-08T14:03:02+00:00 always 0.5 https://s01.world/[exhibitions] 2026-03-25T01:15:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2208714694612945237318506238542/intravenus.jpg https://freight.cargo.site/t/original/i/W2208777293823426811419010650702/Bria-Bridges---The-Subconshis-Mind.png Bria Bridges: The Subconshis Mind 12.14.2024 - 12.28.2024 This evocative collection blends 20th-century surrealism with modern styles, celebrating people of color and women in radiant light. Created over several months, each piece invites viewers to explore raw emotions and the subconscious energy that shapes art. https://freight.cargo.site/t/original/i/Z2243659406477103158821764846158/CMYK.IsabellaHeadshot.RValentine.jpg Intravenus: A Slide Show by Riley Valentine 02.07.2025 - 02.28.2025 “Intravenus is an invitation to explore a true walking contradiction, the feminine experience. She is saccharine, tender, frivolous, defiant, erotic, debaucherous, and hard-as-nails. This exhibition, produced between 2021 to 2023, reflects a progression of girlhood, queerness, and autonomy; a conversation that frames the internal and external reality of being born under punches… each frame is an assembled love letter to the divine feminine.” -Isabella Rinald https://freight.cargo.site/t/original/i/H2344316111701938959372772299342/OVERHEAD-COSTS-FLYER.jpg “Overhead Costs” 04.30.2025 This one-night exhibition features archived footage from multiple raids by the 14th District CPD on SPACE 01, as well as documentation of the unlawful arrest of gallery founder Trejon D’Angelo on August 21, 2024. Through surveillance video, citations, and official correspondence, the exhibit lays out a pattern of over-policing, bureaucratic obstruction, and municipal neglect — not as isolated incidents, but as routine costs of doing public, creative work in this city. https://freight.cargo.site/t/original/i/F2549794441181101227593557987918/nia-2.jpg Human Touch by Program Studios 09.05.2025 - 09.07.2025 Human Touch is Program Studios’ first gallery show aiming to promote human creativity in the emerging age of AI. With the rise of AI in commercial art (a large mass of art and the entry point for artists and creatives to make a living) there is growing danger to artists ability to live and compete creatively. As large and small companies both adopt AI creation for all of its pros, it leaves the human artist to hold the burdens of the cons. https://freight.cargo.site/t/original/i/T2549942276450267452175994180174/Screenshot-2025-09-13-at-4.57.22-PM.png Abracadabra: A Celebration of Octavia Reese’s Life, Love & Magic 05.17.2025 - 05.31.2025 Octavia Reese was the heart of the art cooperative that later became SPACE 01, and without her vision, our space would not exist as it does today. She built and nurtured a community that uplifted artists, dreamers, and rebels, always making space for those who needed it most. Though her passing has left an unfillable void, her spirit continues to guide us. We honor her legacy by continuing the work she so fearlessly championed—creating, connecting, and choosing love. Thank you, Octavia, for everything. You are forever with us. https://freight.cargo.site/t/original/i/M2662925281952996005887964467790/71ec6145-3bad-4701-afeb-866f4077e7f2.jpg The Body is Chaos by Félix Mirel 11.01.2025 - 11.16.2025 The Body is Chaos is a descent into trauma, desire, and the inner shadow — a visual journey inspired by Dante, Jung, and Nietzsche. The photographs act as fragments of a descent; moments of rupture, images that refuse to settle. Within this confrontation, there is also resilience — the insistence that from chaos, something alive can emerge. https://freight.cargo.site/t/original/i/U2662928432287948914005189448270/todhop-9.jpg Ruby Greene: Teeth Over Diamonds Hair Over Pearls 06.21.2025 - 07.05.2025 Ruby Greene’s captivating dreamscape installation explores domestic realms of naughtiness, pain, beauty, sexual expression, and the worlds in which they all intersect. https://freight.cargo.site/t/original/i/A2716779323774500144976183284302/thumb-1.jpg COMMON THREADS by Bria Bridges 12.05.2025 - 12.21.2025 Marking a year since The Subconshis Mind, Chicago-based Jamaican American artist Bria Bridges returns to SPACE 01 with a new body of work that pulls people of color into realms of abstraction and surrealism. https://freight.cargo.site/t/original/i/I2779046319998308758819299250766/opening-5.jpg if i were a blade of grass by Niya Gao 01.24.2026 - 02.15.2026 is a remote collaboration between SPACE 01 operator Trejon D’Angelo and interdisciplinary artist Niya Gao, a Chinese Canadian sculptor and installation artist currently living and working in China. The exhibition presents a selection of sculptures and sketches created by Niya between 2022–2024, curated and installed by Trejon at SPACE 01. https://freight.cargo.site/t/original/i/M2856170521131670681636467495502/1.png https://s01.world/[studio] 2026-03-03T17:42:26+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2514435094231893234056581730894/01int-6.jpg https://freight.cargo.site/t/original/i/S2549978943559971598715608748622/humantouch-2.jpg https://freight.cargo.site/t/original/i/H2764995009987487246937903714894/bria-closing-7.jpg https://freight.cargo.site/t/original/i/B2764995444297629718355586961998/afxkna.gif https://freight.cargo.site/t/original/i/Q2764996240938719285576283050574/cit-2.jpg https://freight.cargo.site/t/original/i/T2765004089659387767516304626254/1.4-2.jpg https://freight.cargo.site/t/original/i/W2765005473386554224617190445646/art-1.jpg https://freight.cargo.site/t/original/i/O2765005728265217091062065123918/grasssunset-2.jpg https://freight.cargo.site/t/original/i/A2765008273657644845948254409294/humantouch-42.jpg https://freight.cargo.site/t/original/i/Z2765008582216332966887924290126/12.jpg © Félix Mirel https://freight.cargo.site/t/original/i/T2765010740227135173873529639502/dark-1.jpg https://freight.cargo.site/t/original/i/H2765011319454899088353450381902/opening-6.jpg https://freight.cargo.site/t/original/i/K2765011762730159179593975714382/g-g-3.jpg https://freight.cargo.site/t/original/i/P2765012135963132022959333560910/trees-6.jpg https://freight.cargo.site/t/original/i/V2765013717734542855405965529678/22.jpg © Félix Mirel https://freight.cargo.site/t/original/i/U2765014221035508162497371820622/LR-2023-DSC00243.jpg © LR 2023 https://s01.world/[catalog] 2026-02-08T17:49:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2721876033816440113231280853582/humantouch-47.jpg Human Touch [Day 3], 2025 Acrylic paint, crayon, marker, and pastel on canvas 8’ x 5’ https://freight.cargo.site/t/original/i/N2721876033613525928420475785806/humantouch-45.jpg Human Touch [Day 1], 2025 Acrylic paint, crayon, marker, and pastel on canvas 8’ x 5’ https://freight.cargo.site/t/original/i/M2721876033797993369157571301966/humantouch-46.jpg Human Touch [Day 2], 2025 Acrylic paint, crayon, marker, and pastel on canvas 8’ x 5’ https://freight.cargo.site/t/original/i/I2785295920130050416523030417998/open-2.jpg The Grass Between Words by Vivi Nia Gao This sketchbook explores my fascination with grass in all its forms—how it adapts to its environment and to the con- tours of the body, within the framed space of a letter-sized page. It stretches, softens, and shifts within limits. The layered tones of green, unstable and unpredictable, come to symbolize that very uncertainty—of place, of identity, of becoming. E-Book - $25 Soft Cover - $50 Hard Cover - $85 https://s01.world/[about] 2026-03-26T22:48:55+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2208812365880064392441116086862/crossroads-fund.png https://freight.cargo.site/t/original/i/R2484821395850903071154869752398/fractured-atlas.png https://freight.cargo.site/t/original/i/H2549980418838328893636999238222/Reader-white-bg.jpg-Reader-raw.jpeg Chicago Reader coverage of Intravenus: A Slide Show by Riley Valentine. Article written by <a href="https://www.shirafriedmanparks.com/">Shira Friedman-Parks</a>. https://freight.cargo.site/t/original/i/V2549987528969811408320283660878/suntimes.jpeg Chicago Sun-Times coverage of targeted police harassment at the gallery’s previous location in Logan Square. Article written by <a href="https://chicago.suntimes.com/authors/erica-thompson">Erica Thompson</a>. https://freight.cargo.site/t/original/i/I2716803576004081756103045665358/humantouch-43.jpg Community painting made on the second day of <a href="human-touch-by-program-studios" rel="history">Human Touch</a>, a group exhibition curated by Cam Gasser of <a href="https://www.program-studios.com/text-based-page">Program Studios</a>. https://s01.world/left-nav 2026-03-25T01:19:28+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2856162727751234420825100767822/nohta-oepning-3.jpg https://s01.world 2026-03-25T01:10:38+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y1126213019644482902307142183516/horizontal-yellow.svg https://freight.cargo.site/t/original/i/P2807962689505416677054406054478/Untitled-design-2.png https://s01.world/mobile-nav 2026-03-26T22:26:54+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2807965204220909037361611002446/Untitled-design-3.png https://s01.world/footer 2026-02-22T19:30:34+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2807974533883085244851855413838/Untitled-design-4.png